Niglet didn’t even try with this shît am i right boys!

Penis: ï

I’m not nerfing crap XD

Every fightning style my character knows: If it says return to top, i wanted for it to let you return back to the top, turns out it doesn’t do that. Aikido Aiki jujitsu Arnis Atemi Bajujitsu Bando Battojitsu Bojitsu Capoeira Cheibi Gad-Ga Chin na Ch’uan Fa Ch’uan Shu Daito-ryu aiki jujitsu Daito-ryu Dim mak Escrima Hakuda Hapkido Hojojitsu Hsing-i Hsing-yi Hwarang-do Iaido Iaijitsu Jeet Kune Do Jobajitsu Jodo Judo Jujitsu Jukendo Kiai jitsu Kalari Payattu Karate Karate-do Karate-jitsu Kendo Ken fat Kenjitsu Kempo Kenpo Kung Fu Musti Yudha Pa Kua Pa Qua Sarit-Sarak Shuai Chiao Shuhaku Silambam Suibajutsu Sumai Taijutsu Thang-ta Thoda Varjamushti Wing Chung Wu Shu Aikido: (Japan) A system of self-defense (See Do, Budo) developed in the 1920s by Morihei Usehiba from techniques of Daito-ryu aiki jujitsu and other influences that stresses the harmonizing of the body with offensive actions and energies in order to neutralize aggression. Aiki jujitsu: (Japan) Any jujitsu discipline that incorporates principles of “aiki.” One of the oldest of these disciplines is Daito-ryu whose origin some suggest traces back to the Heian period (794-1156) and whose techniques provided technical inspiration for many aiki jujitsu disciplines as well as aikido, which developed in the first half of the 20th century. Arnis: (Philippines) A Philippine self-defense art, also known as Kali, Tagalog, Escrima, Estogue or Fraile (depending on the region) employing unarmed and armed (using stick/blade) techniques. Atemi: (Japan) A general and inclusive term referring to the arts (or various arts) of striking anatomical weak points. Atemi in some form was prevalent in virtually all Japanese close range combat disciplines such as that of the sword (kenjitsu) as well as in later unarmed systems such as jujitsu and judo. Bajujitsu: (Japan) The art of horsemanship practiced by Japanese professional warriors (bushi or samurai) for mounted warfare which required strict control of the horse’s actions within a battlefield conflict. As part of this art warriors developed their leg strength to enable them to maintain the proper posture for prolonged periods of swift riding and to control the horse with their legs during battle when their arms were occupied with weapons. Bando: (Burma) A general term meaning “way of discipline” or “system of defense” referring to those styles of unarmed and armed self-defense developed in Burma that employ striking, kicking, grappling and locking techniques, throws, plus weapon techniques introduced into the US by Dr. Maung Gi, a college professor in 1960 (Head of the American Bando Association). Bando is often called Burmese karate. Battojitsu: (Japan) Also Battojutsu. The classical bujitsu art of drawing a sword and cutting in one action. The art from which iaijitsu was later derived. Bojitsu: (Japan/Okinawa) Meaning “art of the staff.” A collective term referring to martial systems employing a bo, or long staff (over five feet in length), that developed in Japan, Okinawa, China and elsewhere. The use of the bo dates back to times of legend and is as old as man himself. In Japan hard wood was plentiful and even the poorest individual could easily arm himself. A whole arsenal of poles, staffs, spiked staffs, and long iron clubs were developed. The bo was sometimes tipped in iron and sometimes totally covered by iron. In modern times its practice is an inherent part of many styles of karate and aikido. To the traditional samurai armed with a cherished sword, the bo was considered plebeian, a weapon of commoners. But because of its effectiveness it became necessary to understand its use, if for nothing other than defensive reasons. In Japan it’s study was distinguished by its focus on techniques useful against an opponent armed with a sword or other weapon. Techniques such as blocking, parrying, striking, tripping, throwing off, off-balancing, striking and thrusting were often combined into a single movement, the most powerful of which could break a sword or shatter a bone. The weapon has the unique advantage of having two ends, thus each successive technique with one end opens up a possible technique with the other. The skill level of a trained exponent is truly remarkable, the speed of movement blurred to the eye. As a wooden instrument, however, the bo was comparably safe compared to the sword and other bladed weapons. Thus the bo, or wooden equivalent of swords and other weapons, are often used as substitutes for actual bladed weapons practice in schools teaching weapon arts. The bo was equally popular among commoners, priest and monks (who were denied many weapons). A shorter version of the bo, called a “jo,” also became widely practiced. The founder of one of the most effective and famous schools of bo jitsu was Muso Gonnosuke, an expert in the bo who was catapulted into prominence by his loss of a match. Using a bo in a challenge against the two sword legend Miyamoto Musashi, Gonnosuke lost but was spared his life. Gonnsouke is said to have retreated into seclusion atop Mt. Homan where he underwent years of rigid self-discipline. He meditated, fasted and underwent ritual purification out of which he received divine inspiration. This led to development of a shorter version of the bo that allowed quicker response time. He developed his own special techniques, while borrowing from both bo and sword techniques. He then challenged Musashi again, this time defeating the sword legend. Gonnouke named his style Shindo-Muso Ryu and developed technical curriculum. The use of the bo, or staff, is so widespread that virtually every country has its own tradition. In Europe the long staff was used by peasants during the middle ages. In China the bo and other weapons were also widely practiced and often incorporated into various kung fu systems. Likewise Okinawan systems of bojitsu have their own traditions. In the Ryukyus of which Okinawa is the largest island, bo kata are the oldest of martial arts kata dating back to Matsu Higa, the weapons (kobudo) teacher (sensei) of Takahara Peinchin. Actually oral tradition traces the use of the bo back even further, to the 1400’s. And after… Read more »