@statusthing
Joined on September 7th, 2018, this user has been a member for 2,828 days and is the 10,881st person to register an account.
Has 23 submissions, the first one uploaded on April 18th, 2019 and the most recent on June 21st, 2023.
Of those, 0 have been featured and 3 have won Users' Choice.
On average, each submission earns 2,050 downloads.
In total, they have been download 47,167 times.
Counting every individual stickfigure, including the contents of all packs, this user has technically made and submitted 48 stickfigures.
On average, when this user rates stickfigures, they are 90% positive.
Also, they are typically 100% positive when rating animation spotlights.
Has made 25 comments on non-activity pages of the site. Alternatively, this user has made 845 comments on actual activity pages of the site.
This member is not a Users' Choice voter.
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Baguettes Mayhem CollabOwner
The Seeds SeriesOwner
Tiny Oc’sOwner
Jojo's bizarre CollabOwner
Bootleg Sticknodes.comOwner
BaguetteCrusader’s Grocery StoreOwner
KILL Ice Age Baby CollabOwner
Turn Based FightsOwner
Sticknodes MMO RPGOwner
I basically sword arm your ocmod
The New Stick Tournament Collabmod
Mab Memorial groupmod
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made this cuz @milkymurderer made jojos with sticknodes user
Thats the only reason
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Sure, but i dont have youre tiny\’s image, can you give it to me?
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Nope, but if you want I can add you to the second one
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Am i included?
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Nope, but if you want I can add you to the second one
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Yeah ok
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Any chance I could also get added in the second one?
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Sure, but i dont have youre tiny’s image, can you give it to me?
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Can I be in it too?
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Sure
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Sure thing
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request to be in next pack
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Replying to:
Ok
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Can u add me in number 2
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Replying to:
Fineeeee
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LuLu died
😔👊 -
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UC Voters be like:
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In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the *new*. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new: an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau\’s famous motto, \”Anyone can cook.\” But I realize, only now do I truly understand what he meant. Not everyone can become a great artist; but a great artist *can* come from *anywhere*. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau\’s, who is, in this critic\’s opinion, nothing less than the finest chef in France. I will be returning to Gusteau\’s soon, hungry for more
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Replying to comment by:
In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the *new*. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new: an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau\’s famous motto, \”Anyone can cook.\” But I realize, only now do I truly understand what he meant. Not everyone can become a great artist; but a great artist *can* come from *anywhere*. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau\’s, who is, in this critic\’s opinion, nothing less than the finest chef in France. I will be returning to Gusteau\’s soon, hungry for more
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Oh sorry I forgot
Here: https://filebin.net/pnljlkzmrnbol67h -
Replying to comment by:
I added it to the filebin: https://filebin.net/pnljlkzmrnbol67h
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Oh ok
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Try making it you then
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Ok
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Already send it
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Replying to comment by:
Nvm
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OAo