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🎃🍂ThoughtsOfHalloween🍂🎃
2026-02-26 12:28:40 UTC Not every episode needs a lock in (less is more regaurding some plots)
But for Season 2 Episode 7, its my first opprotunity in this show to TRULY lock in with the character writing, screenwriting, and all of that jazz.
Its the first of the more dramatic episodes of the show and the first character study.
I’m honestly feeling SO GOOD about this. Killer Episode 3, and the next 2 episodes I’m building up to a very climatic and dramatic episode of Cornflakes. Which is giving me this opportunity to absolutely lock in.Sorry this is such a incoherent ramble but I always want to be judged on my merits and be the best director I can and with 2×7, I will finnaly be able to prove myself I feel like!
The goal with this episode is to be able to withstand the HIGH STANDARD scalpel standard of Hollywood writing.
I genuinly want to be a director for the rest of my life, so the least I can do is always try to master my craft.
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Also funny note, this episode went through a lot of rewrites and phases of Cornflakes.
-Back when it was a simple skit show.
-When it had plot relevence.
-And the modern lock in with a 4 season long and intricate plot.
And with each version of the show came a new script.
-First version (By me)
-Res’ version
Then Res had to leave to personal stuff and I got another writer.
-New guy’s version.
Show went on a haitus.
-I wrote a new version.
We agreed it needed more substance.
Talked a LOT about what to do, what went wrong, how and why it didnt work. And we found a LOT. Too much to go into.
-Making a new version right now.
-Then Res will have her finalized version after me.
That makes 6 different scripts went into perfecting this episode to the best I knew it could be. And I’m keeping this standard. I’ll make every episode as good and entertaining as the plot needs and deserves it to be.
Rereading all of this, I am definitely blowing it a little out of proportion.
Its not going to be a super deep drama, as the show hasn’t worked its way to be THAT deep (Yet, stay tuned for S.3) but given the place inside the series and what it has to say for the current state of the characters.
I REALLY wanted to go VERY deep into the characters and dramatic. But S.3 I’m TEARING EVERYONE apart emotionally and going too deep would ruin or at least dampen the effects of that season. As the emotional side is the CORE of it and if this episode dosn’t work, about 1/3 of next season dosn’t. So theres a LOT stuff relying on it.
Regaurdless though, its going to go absolutely hard and I ENCOURAGE people to look at this episode under a “HIGH STANDARD scalpel” like I said.