overthinking
late shift needs a sense of urgency

So, I just started slightly working on the script, and i’m already running into problems with the rewrite.
There’s no need for the big climax I want
I need to find the need
essentially, if the characters aren’t separated then the subway sequence makes no sense, but if they are then the sequence does make sense but there’s no sense of urgency in the finale
the trade off ain’t worth it, so I have to find the urgency

anyways

not even lgbt just saw this going around